- Semiotics, Semiotics Of Culture, Italian Cinema, Italian Literature, Umberto Eco, Pasolini, and 69 moreCultural Semiotics, Deleuze, Bakhtin, Gramsci, Antonio Gramsci, Italian Politics, Italian, Popular Italian Cinema, Primo Levi, Benedetto Croce, Gramsci and Cultural Hegemony, Sciascia, Enunciation, Cultural Studies, Political Philosophy, Political Theory, Political Violence and Terrorism, History of Political Thought, Michel Foucault, Italian Studies, Marxism, Marxismo, Karl Marx, Marxist theory, Communism, History of Communism, Liberalismo Italiano, Liberalismo, Liberalism, Francesco De Sanctis, Azionismo, Cesare Beccaria, Leonardo Sciascia, Alessandro Manzoni, Graziadio Isaia Ascoli, Linguistica italiana, Palmiro Togliatti, Partito comunista italiano, Partito Socialista Italiano, Democrazia Cristiana, Paolo Sorrentino, Lexicon of Gamsci's Prison Notebooks, Giacomo Leopardi, Leopardi, Poststructuralism, Structuralism (Philosophy), Structuralism/Post-Structuralism, Russian Formalism, Jakobson, Roman, šklovskij, Bertolt Brecht, Les théories hérétiques de Pier Paolo Pasolini, Storia Della Lingua Italiana, Linguistica Italiana, Storia Della Lingua Italiana, Pragmatica Del Linguaggio, Storia Italia Contemporanea, Ernesto de Martino, Walter Benjamin, Marco Bellocchio, Giambattista Vico, Vico, Giambattista, Free Indirect Discourse, Critical Theory, Theory of literature, Literature and cinema, Italian Theory, Literary Criticism, Narrative Theory, Italian Cultural Studies, and Subaltern Studiesedit
- Associate professor - Sorbonne Universityedit
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« Dans mes romans pour représenter les banlieues, d'un côté c'est moi qui raconte ces histoires de banlieue, mais dans le même temps je me plonge dans un de mes personnages et je vois les banlieues, la vie, les femmes, les hommes à... more
« Dans mes romans pour représenter les banlieues, d'un côté c'est moi qui raconte ces histoires de banlieue, mais dans le même temps je me plonge dans un de mes personnages et je vois les banlieues, la vie, les femmes, les hommes à travers les yeux de mon personnage. Voilà pourquoi il y a tel-lement de dialecte, tellement d'esprit dialectal dans mes romans ; parce qu'en voyant le monde avec les yeux de mon personnage, je ne peux le voir, y compris linguistiquement, que comme l'exprime mon personnage » Pier Paolo Pasolini.
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Attraverso l'indagine del meccanismo testuale e della ricostruzione del contesto di produzione, il saggio propone uno studio su Empirismo eretico e sullo stretto rapporto tra teoria semiotica, critica letteraria e impegno politico che ha... more
Attraverso l'indagine del meccanismo testuale e della ricostruzione del contesto di produzione, il saggio propone uno studio su Empirismo eretico e sullo stretto rapporto tra teoria semiotica, critica letteraria e impegno politico che ha contrassegnato il lavoro pasoliniano degli anni Sessanta. Lo scopo è quello di mostrare come Empirismo eretico, nonostante la sua asistematicità, la sua fram-mentarietà analitica e il taglio polemico delle sue argomentazioni, abbia rappresentato per Pasolini il laboratorio in cui portare avanti la propria indagine teorica intorno a numerose questioni emerse nel corso della sua attività di scrittore, regista e intellettuale impegnato.
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Research Interests: Pier Paolo Pasolini, Letteratura italiana moderna e contemporanea, Letteratura italiana, Alberto Arbasino, Les théories hérétiques de Pier Paolo Pasolini, and 4 morePartito comunista italiano, Omosessualità Transessualità Gay Lesbiche Queer Interesex, Letteratura italiana contemporanea, and Marco Belpoliti
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Some of the most original pages from Gramsci's Prison Notebooks are dedicated to the subject of mass culture. Antonio Gramsci was in fact the first one to realize the relevance of the cultural industry's products as far as their... more
Some of the most original pages from Gramsci's Prison Notebooks are dedicated to the subject of mass culture. Antonio Gramsci was in fact the first one to realize the relevance of the cultural industry's products as far as their ideological content, embedded world views, and expressive forms are concerned. His interpretative model later influenced Umberto Eco who successfully combined the Gramscian methodology with his own semiotic approach in some of his most important essays (regarding a manifold variety of cultural artifacts, belonging to categories as diverse as cinema, comics, advertising, and journalism).
Along this very same line of research, we are looking for essays of 15-18 pages in length (double spaced, size 12 font, Times New Roman, written only in English) covering all kinds of artifacts and aspects of Italian mass culture throughout the last 40 years. We will select proposals showing the ability to combine and merge the analysis of ideological, linguistic, and expressive structures, in accordance with the example provided by Umberto Eco in books such Apocalypse Postponed (1964) and Il superuomo di massa (1976).
Along this very same line of research, we are looking for essays of 15-18 pages in length (double spaced, size 12 font, Times New Roman, written only in English) covering all kinds of artifacts and aspects of Italian mass culture throughout the last 40 years. We will select proposals showing the ability to combine and merge the analysis of ideological, linguistic, and expressive structures, in accordance with the example provided by Umberto Eco in books such Apocalypse Postponed (1964) and Il superuomo di massa (1976).
